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Zeitschrift für Semiotik
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The "Zeitschrift für Semiotik": Abstracts  ______________________________________________________________________ 
 
 
 

"Mental Representation of Signs"

 
 
 

Year: 1996
Volume: 18
Number: 2-3

 

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    Angela D. Friederici 
    Neurobiological basics of linguistic representation 

    Wilhelm R. Glaser 
    Machine representation 

    Arnold Groh 
    Visual search processes 

    Stefanie Kelter and Christopher Habel 
    Mental representation of facts in text comprehension 

    Eva Kimminich 
    "Natural phonetic and tone languages" – A special case of 17th century universal language planning 

    Winfried Lenders 
    Virtual worlds as representations  

    Walter F. Sendlmeier 
    Mental representation of volume language 

    Thomas H. Stoffer 
    Mental representation of musical structures 

    Hubert D. Zimmer 
    Mental representation of visual signs: information-specific processing modules 
     
     
     


    Neurobiological basics of linguistic representation  

    Angela D. Friederici, Max-Planck-Institute for Neuropsychological Research Leipzig 

    Summary. This paper presents the relation between language and its representation in the adult and the developing brain. The adult brain is shown to require a distinction between, on the one hand, the representation of language knowledge and, on the other hand, language procedures. Date in support of this distinction are presented. Furthermore, results are discussed which suggest that this functional organization of language only develops as the brain matures. The combined data lead to the hypothesis that the process of language development is accompanied by a functional reorganization of language representation in the brain. 
     
     
     
     
     
     
     
     
     
     
     
     
     
     


    Machine representations 

    Wilhelm R. Glaser, University of Tübingen 

    Summary. First, the relevance of the concept of representation for cognitive psychology is pointed out. Its roots in semiotics and its relations to the concept of information are elaborated. Following this, some fundamental principles of digital computers are described: use of algorithms, programming, Turing-computability and the hierarchical structuring of software systems. The distinction between intrinsic and extrinsic representation, which is an important distinction for psychology, is introduced. It allows for a systematic characterization of the analogue computer. The relationship between representation in the sense of psychology and consciousness is discussed with respect to the mind-body problem. Finally, some philosophical objections against the program of cognitive science are critically examined. 
     
     
     
     
     
     
     
     
     
     
     


    Visual search processes 

    Arnold Groh, University of  Bielefeld 

    Summary. Asymmetrical control areas in a continuous visual search were examined in two experiments. Two mechanisms for target detection were identified – one operating in the center of the visual field engaged with processes requiring a high level of resolution; the other operating in the periphery, performing detection processes requiring a low level of resolution. A functional model is outlined that interprets the findings in terms of hemispheric mechanisms. 
     
     
     
     
     
     
     
     
     
     
     


    Mental representations of facts in text comprehension 

    Stefanie Kelter and Christopher Habel, Technical University Berlin and University of Hamburg 

    Summary. After a brief summary of the claims which the theory of mental models (Johnson-Laird 1983) makes with regard to text comprehension, the primary objective and the main results of past research in this field are described and new questions are asked which arise directly from this. Then two problems are discussed that have received little attention so far in research on mental models in text comprehension, although they are highly important for this research: first, the relationship between text comprehension and non-verbal cognition, and second, the mental representation of non-spatial aspects of textually presented situations. 
     
     
     
     
     
     
     
     
     
     
     


    "Natural phonetic and tone languages" – A special case of 17th century universal language planning  

    Eva Kimminich, University of Freiburg 

    Summary. This paper deals with a subgroup a aprioristic artificial languages of the 17th century. It points out the reasons for the emergence and elaboration of universal languages and classifies the numerous proposals of rationally constructed languages in that period into sign language, phonetic language, tone language and utopian language models.The intention of creating a quickly learnable universal idiom promised advantages for the work of Christian missionaries. They, in return, provided important conceptual suggestions for the construction of artificial languages. The confrontation of early European language researchers with the spectrum of phonetic alternations in the Chinese language and the possibilities offered by logograms in the Chinese writing system was an important stimulation in the search for the best of all possible languages. This search also led to the elaboration of the special phonetic and tone languages presented in this paper. They were based on the conception of a truly natural language with the rationally inexplicable expressive capacity of the Adamitic idiom that had already been the target of research in previous centuries. 
     
     
     
     
     
     
     
     
     
     
     


    Virtual worlds as representations  

    Winfried Lenders, University of Bonn 

    Summary. In recent years, computer sciences as well as computer and game industries have developed a new generation of simulation systems that are claimed to produce virtual realities or virtual worlds. In this paper, the use of such concepts is analyzed from a critical point of view. Since the systems in question are said to construct realities in which humans can act as if in the real world, problems of semiotics, ontology, epistemology as well as of the theory of narratives have to be discussed. In this discussion, it becomes obvious that there is a long tradition in the history of human thought concerning the form of existence of virtual worlds and that the treatment of virtual worlds in the arts must be taken into account. 
     
     
     
     
     
     
     
     
     
     


    Mental representation of volume language 

    Walter F. Sendlmeier, Technical University Berlin 

    Summary. Four experimental approaches frequently used in speech perception research are discussed in respect to their impact for word recognition models and their implicit assumptions on the mental representation of speech. These approaches are (1) reaction-time experiments, (2) the procedure of click-localization, (3) the method of selective adaptation and (4) the assessment of word similarities. The results of the studies vary, depending on the experimental procedure chosen. Phonetic features, single sounds, syllables and words are alternatively favored as primary perceptual units. A critical evaluation and an attempt to theoretically integrate the data lead to the assumption that adult speakers/listeners have several kinds of mental representations of speech at their disposal simultaneously. Depending on the focus of perception, units of different sizes are primarily focused in the recognition process. This implies that their listeners are able to modify their temporal analysis window to a certain extent. Nonetheless, as the default case, one-syllable-size units are primarily focused. 
     
     
     
     
     
     
     
     
     


    Mental representation of musical structures 

    Thomas H. Stoffer, University of Munich 

    Summary. This paper deals with the functions which the semiotics of music may have in developing a cognitive psychological model of music-related mental representations. First, the methodological contribution of semiotics is considered, which consists in elaborating suitable procedures of analysis for the structures of music; intended is an explicit and formal account of the syntactic structures of music in a manner which is both descriptively and cognitively adequate. Then the theoretical contribution is examined which such a syntactic account of music can offer in generating plausible hypotheses about the content and form of musical knowledge; intended is a cognitive psychological model for the processing of musical structures in hearing and in performing music. After an introduction to some semiotic elements of music analysis the problem of the cognitive adequacy of syntactic descriptions of music is discussed in detail. 
     
     
     
     
     
     
     
     
     
     


    Mental representation of visual signs: information-specific processing modules 

    Hubert D. Zimmer, University of the Saarland 

    Summary. This article discusses empirical results from cognitive psychology and neuropsychology which show that the mental processing of visual signs can be adequately modeled on the basis of multiple modules, each of which is responsible for a specific type of information. For spatial information it is demonstrated that its mental representation is neither homogeneous nor fully analogous with the physical input. For sensory information it is argued that its sensory representation should be distinguished from its conceptual representation and that physically coherent features can be represented in separate mental domains. Finally, arguments are presented in favor of the occurence of modality-specific object representation. In addition, it is pointed out that mental representations inferred from the sign behavior of a person can be different from those representations that are accessible to that person by conscious experience. As a result, the existence of information in a mental system must be distinguished from the system’s awareness of it. 
     


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