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The "Zeitschrift für Semiotik" 
Abstracts
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         "Sign Philosophy in  

        the 19th Century"

 
 

Year:      2001
Volume:  23
Number: 1

 

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    Introduction 
    Dieter Münch 
    Sign philosophy in the 19th century 
     
    Ursula Neemann  
    Signs in language and thought according to Bernard Bolzano 

    Uwe Dathe  
    Rudolf Eucken as a language critic and sign philosopher  

    Paolo Spinicci  
    Phenomenological objectivity and language pragmatics. The fundamental concepts of Anton Marty's view of language 

    Venanzio Raspa 
    Signs, shadow-like expression and fictional objects: Meinong's observations of a semiotics of fiction 

    Wolfgang Mack 
    Sign and expression in Wilhelm Wundt's language theory 

    Enclosure 
    Rainer Steinhart und Dagmar Schmauks 
    Red and green men 
     
     


    Signs in language and thought according to Ockham, Lambert and Bolzano 

    Ursula Neemann, University of Bochum 

    Summary. According to B. Bolzano, signs are real objects or processes which are grasped not as something in themselves but in reference to other objects. The meanings of verbal signs are shared by the users of a language as their uniform semantical basis. It is a realm of ideas and sentences, in other words, what is known as the intension of verbal signs. Extension, the reference to extra-mental objects, is possible only on the basis of intensions. These considerations are used to clarify Bolzano's use of the expressions "meaning" and "reference". The emphasis on the intensional aspect leads to epistemological problems which are discussed with reference to the theories of signs suggested by W. of Ockham, J. H. Lambert, and G. W. Leibniz. Central in this discussion is the question whether what is signified by verbal signs is a copy of the extra-mental world of objects or whether the sign's function consists in a reference to the extra-mental world without being similar to it. 
     
     
     
     
     

     


    Rudolf Eucken as a language critic and sign philosopher  

    Uwe Dathe, University of Jena 

    Summary. In the 19th century, non-formal language analysis was practiced not only by the philosophers O. F. Gruppe, G. Gerber, M. Müller, L. Noiré, and G. Runze, whose works were recently discussed by H. J. Cloeren and S. J. Schmidt. This philosophical tradition also included R. Eucken. In his studies on the history of concepts and technical terms as well as on the function of metaphors for philosophical thinking, Eucken developed original views on the interdependence of language and thinking and on the meaning of concepts and technical terms. He was one of the most astute critics of philosophical language for his time and he advanced important ideas for the reform of philosophical terminology. Eucken's philosophical and semiotic reflections  influenced G. Runze, G. Frege, F. Tönnies, and K. Jaspers. 
     
     
     
     
     
     


    Phenomenological objectivity and language pragmatics. The fundamental concepts of Anton Marty's view of language  

    Paolo Spinicci, University of Milan 

    Summary. According to Marty, linguistic form depends both on the psychological nature of meaning and on the real conditions for human communication. Marty believed that a universal and general grammar has to fulfill two different tasks: firstly, it has to bring to light the phenomenological basic structures of our inner (and outer) experience which are expressed by every human language. Secondly, it has to attempt to explain some of the universal language structures resulting from the basic properties of speaking as  communicative action. This paper elaborates the latter topic in particular, giving an account of Marty's pragmatic foundation of language. 
     
     
     
     
     
     
     


    Signs, shadow-like expression and fictional objects: Meinong's observations of a semiotics of fiction  

    Venanzio Raspa, University of Urbino 

    Summary. The aim of this contribution is to apply Meinong's theory of signs to an analysis of literature. The focus lies on words and sentences which, according to Meinong, express fantasy experiences when they occur in literature. He distinguishes between "serious" and "shadow-like" fantasy experiences. The serious ones can be detached from their fictional context, i.e., they are also understandable in other contexts. The shadow-like fantasies, however, are dependent on their fictional contexts. This implies that shadow-like experiences are less specific than serious ones. The objects presented by these experiences or expressions are identical with the meanings of the signs involved. The specificity of the experience is related to the completeness of its object; consequently, objects involved in shadow-like experiences are incomplete. In addition to being incomplete, fictional objects can be defined as non-existent objects of a higher-order, produced by human fantasy. They come into the world through linguistic expression and are tied to the context(s) in which the fantasy has placed them. 
     
     
     
     
     
     
     

     
     


    Sign and expression in Wilhelm Wundt's  language theory   

    Wolfgang Mack, University of Frankfurt am Main 

    Summary. W. Wundt is reputed as the founder of scientific psychology; his work on the psychology of language as well as his considerations on the emergence of language from non-verbal signs are less well-known. This paper therefore outlines his approach to semiotic problems, especially his view that language is rooted in motor behavior and gestures. This view can only be adequately understood if one takes into account the philosophical background as well as Wundt's conception of psychology. Although Wundt postulates that psychology had a dual character, distinguishing between physiological psychology (i.e., an experimental psychology focusing on the individual) and folk-psychology (i.e., a socially orientated psychology), he remains tied  to a solipsistic conception of the genesis of signs and meaning. This becomes even clearer if Wundt's conception of the emergence of verbal signs from gestures is compared with its critical development by G. H. Mead. It becomes evident that Wundt does not pay enough attention to the pragmatic dimension of gestural expression. 
     


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